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“The people come from miles and miles around / Just to hear that old piano and feed their faith,” Randall and Lambert observe, their voices warm and steady. But by invoking “Amazing Grace” in the chorus, the song also becomes about the power of music itself too. The lyrics make simple sketches of the west Texas scenery, from mooing cows to nights drinking at sunset.
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The closing track to Jack Ingram, Miranda Lambert, and Jon Randall’s acoustic album The Marfa Tapes is a reminder of what drew the trio - all accomplished musicians and songwriters on their own - to west Texas in the first place. “Amazing Grace (West Texas),” Jack Ingram, Miranda Lambert, and Jon Randall That’s her making good on another promise in the song: She’s got a lot of new tricks for us. The run-of-the-mill trap beat holds the song down, but what carries the song sonically is Doja’s underrated knowledge of her voice as an instrument, both in singing and rapping she moans and squeals with abandon in between some of her tightest bars to date. “I just can’t help but be sexual,” she declares, then goes on to prove it, rapping about ten-out-of-ten dicks and begging a partner to “spank me, slap me, choke me, bite me.” She does it all with the overflowing panache that made her go viral in the first place - you simply have to be confident to make a line like “Need it in me like a Chuck E. But there’s an even better hot-vaxx summer anthem on Doja Cat’s great third album, Planet Her: “Need to Know,” a playful, R-rated romp of a song. It’s hard to argue with “Kiss Me More” as a song-of-summer contender. “And a new boat ’cause I’d rather cry in the ocean.” It’s a perfect introduction to Tyler Baudelaire, from the Tyler the world has grown to love. The track builds toward a key moment when Tyler ties it all together, pulling back the curtain to show what those brags are hiding: “Remember I was rich, so I bought me some new emotions,” he raps. He succeeds at all three from the jump on “CORSO,” blending pitch-perfect flexing (“She say she like the Royce and I’m like, ‘Which one?’ I got two, hon,” the car-lover boasts) with raw emotion through an array of flows, punctuated by Drama at his liveliest. Tyler, the Creator’s new album, CALL ME IF YOU GET LOST, is trying to be many things: a throwback to the heyday of mixtapes modeled after DJ Drama’s Gangsta Grillz series, an often self-critical reflection on Tyler’s failed relationship with a friend’s girlfriend, a strong case that Tyler is still one of the best rappers out there after 2019’s experimental IGOR.
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It’s a crying-on-the-dance-floor marathon that reaches toward “Dancing on My Own” or “All My Friends” - both begging to be screamed in a crowd of thousands and to be blasted alone in one’s bedroom. The song builds toward an awesome, larger-than-life climax, the textbook definition of earning a drop. “It’s only that bad if you tell yourself you’ll never get out of bed,” Tenenbaum assures, her trademark soprano cracking with emotion. Nowhere on Mercurial World is that more apparent than “Chaeri,” a slow-burning anthem on which singer Mica Tenenbaum reaches out to a struggling former friend. The former prog-rockers come to pop with a true love and fascination for the genre (their 2020 song “How to Get Physical” alluded to Olivia Newton-John, while their upcoming debut album, Mercurial World, references Madonna), and their poignant lyricism places them alongside soul-baring left-field pop performers like Carly Rae Jepsen, Charli XCX, and Christine and the Queens. Below, the best songs of 2021, as we’re somehow halfway through.ĭon’t let their delightfully bizarre music videos and TikToks fool you: Magdalena Bay is one of the most genuine artists in pop right now.
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We’re starting to hear some of these songs with others, either live in concert or out and about, as the world (gradually) reopens in certain countries and we’re able to get the full experience, but their just-as-great job of soundtracking neighborhood walks and Friday-night Twitter doomscrolls won’t go unthanked. The same has been true of the standout music of 2021 so far: They’ve each offered moments of escape, reflection, and just plain old joy. Good songs thrive in any setting, with anyone or no one, and many born of the pandemic - or at least released during it - proved their ability to shake and shock us out of the day-to-day monotony of isolation, not unlike the way a well-executed beat drop on a night out once did. Photo-Illustration: Vulture Photos by YouTube